Pagan satanic worshippers take over St. Peter's Basilica

‘Sacrilege’:  Vatican’s ‘climate change’ light show

ROME, December 8, 2015 (LifeSiteNews)

Pagan occultism

St. Peter’s ‘climate change’ light show and its prototype held in New York last August are bizarrely connected to pagan occultism.

The shows director Travis Threlkel, founder and creative director of Obscura, said in an August interview when discussing the New York version of the show that was projected onto the Empire State Building, that pagan deities were specifically incorporated into the presentation. He said the show included the greek pagan goddess Gaia, a Greek Mother Earth who has been appropriated by worshipers of nature, along with Aya, a Babylonian mother goddess associated with the rising sun and with sexual love.

It was at the New York show’s end that startling images of the faces of various pagan goddesses were projected onto the building. Predominantly displayed was an image of Kali, the Hindu goddess of death and destruction. Kali, who was depicted with a long blood red tongue and whose name means “the black one,” promised wealth to those who satiated her lust for blood by human sacrifice. Daily human sacrifices of young children were offered on her altars in India until 200 years ago. She has since been culturally appropriated by New Age spirituality as a kind of Mother Earth goddess.  

“Android” Andrew Jones, the artist behind the image, said at that time that he wanted to depict Mother Earth in her “fiercest form” to draw attention to what might happen if people ignored the implications of climate change.

The Vatican show included artwork and computer-generated designs by Jones.

Jones, one of the world’s foremost digital painters and projection artists, specializes in portraying terrifying images of Greek, Roman and Eastern pagan deities. He said in an interview last month that he turns to these gods and goddesses by means of “psychedelic substances” (mind altering drugs) so that he can portray them accurately. He said the “deities” are “actively involved” in guiding his hand as he makes the work.

“These [drugs] are tools that grant portals and access into different realms that I still haven’t fully been able to grasp or say that I have uncovered all of their meanings. … They have evolved my ability to … discover new and interesting combinations of energy and matter. Some have … shown me greater nightmares than I could ever depict or wish to imagine ever again.”...

....various symbols belonging to deities mentioned by the show’s director Threlkel did. For instance, Aya’s symbol of the rising sun appeared at least on three occasions throughout the show, most prominently at the beginning when a giant sun was depicted rising upon St. Peter’s.

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“The abomination shall be seen in holy places, in convents, and then the demon shall make himself the king of hearts.” Our Lady of La Salette
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Desolating sacrilege

Canons 1211-1112 touch upon the violation of sacred places.

“Can. 1211 Sacred places are violated by gravely injurious actions done in them with scandal to the faithful, actions which, in the judgment of the local ordinary, are so grave and contrary to the holiness of the place that it is not permitted to carry on worship in them until the damage is repaired by a penitential rite according to the norm of the liturgical books.

“Can. 1212 Sacred places lose their dedication or blessing if they have been destroyed in large part, or have been turned over permanently to profane use by decree of the competent ordinary or in fact."
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It continues: 
“A church, therefore, is desecrated by actions that are gravely injurious in themselves and a cause of scandal to the faithful. Reparation for the desecration must to be carried out with a penitential rite celebrated as soon as possible. Until that time, no sacred rite may be celebrated in the church.”